Zu Tanzen, seine Beine zu bewegen, ist eigentlich eine gute Sache.
Die Bewegung lässt das Gefrorene schmelzen.
Frauen sind nicht nur dazu da, ihre Beine breit zu machen, schärfte mir meine Mutter ein.
C’est considéré de l’amusement quand tu visites un cabaret comme le Lido ou le Moulin Rouge à Paris. Là, où les femmes jettent leur jambes dans l’air.
En hiver, dans les rues de Montmartre, aux alentours des cabarets mentionnés, les putes ont probablement une autre vue sur cette danse?!
Originally, it was my youngest daughter’s fashionable lollipop’s remainders after its consumption. Its ’spread legs‘ open the sugary inside,- perhaps a similar expectation Moulin Rouge clients have.
Lucio Fontana’s work concetto spaziale is worth studying, and it is cherished with this side. To me it is going beyond 2 dimensional imagery and opens up the consciousness for the reality of space. The four main strokes are eventually forming a pyramid, all this embedded in some hue of the conscious color family (honey, amber).
The white of the strokes opposes the black strokes Fontana creates, and they contrast with the darker cloud in the middle. Of course WEARTH is also about spatial consciousness. Nowadays nonetheless, we are more and more getting aware of the ecological footprints our spatial activities are provoking. Darkly overshadowing Argentina born Fontana’s spatial purity is the consciousness of a lack of globally sustainable energy system.
Whereas the frame of consciousness upholds it all, never minding the result of human activity, for our species a dynamic and sustainable, de-centralized energy system with little or no cost remains -for the time being- a thought and wish. Perhaps because new proposals aren’t a great match with monetary greed?
South. North. East. West. The four cardinal points are all layers of spatial consciousness; aspects of spatial navigation on Earth.
The number 4 correlates with the four strokes on side 2.
Undefined brighter shapes connect beyond the separation these layers mean to a single, unified spatial consciousness.
The brightness of light can bring you the possibility to move to various directions when dealing with a single subject.
Since it is all about 3D, the personal embodiment of spatial consciousness, the contrast between the different parts of this side is rather weak.
After the end of the Cold War and a lack of enemy to capitalism, a successful strategy to influence the world may actually no longer be a political party or movement, but rather creating enterprise. Since capitalism is far from being flawless, evolution of this concept is getting more and more important to an ever growing number. Social ventures remind us that the best or most valid definition of capital is our capacity to do or create something… and it is both our choice and that of the consumer. An exchange that creates patterns on much more frequent base than for instance elections.
The wax seals of Jens Eyetz and WEARTH play with the idea of a ‚firma‘ (Italian for signature, German for ‚firm‘ or ‚enterprise‘) from a perspective of timelessness (therefore the rather vernacular way of signing than e.g. the technical products and ads of conventional enterprises do in the corporate graphics).
